Where should your lights go? More specifically, what angles should they come from to hit the stage, and how should you approach your stage lighting to get the look you’re going for?
Designing lighting for IMAG is a whole new ball game, and by paying attention to these 5 simple things, you can drastically improve your lighting rig for the camera!
The camera has been a part of live events for some time, but in the post-2020 world more and more events rely on the recordings and live streams to make events happen. In this article, David shares how to think about lighting for the camera and the different types of events and what approaches to take.
When working with lighting and video you’ll find that it can be very tricky to not get everything to look so orange. What may look fine to your eye, can often look “tinted” once it’s inside the camera.